Emerge

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March is a month of intermittence. On Colorado’s Front Range, the weather changes daily, often mid-daily, from sunshine to rain to snow and back again.

March is also the month of emergence. After the dormancy of long winter, plants and animals wake up to spring’s warmth and light, an arousal reinforced for humans by the “spring forward” of clocks.

Walking around the farm these days or weeding cool beds in preparation for planting, I search for green. Poppies and daffodils reach for the sun. Tiny leaves of mint and thyme unfurl along roots and stems. Fall-planted garlic pokes through grassy mulch. Rhubarb propels its brainy head above a deep mat of autumn leaves.

With longer days, the chickens have started laying again in earnest. I laugh at myself for thinking that daylight savings time has made a difference in their productivity. Chickens respond to longer daylight, for sure, but do so quite separately from our mechanical and digital manipulations.

Near the bridge by the flower beds, my grandson and I find a hole an arm’s width in the grass fifteen feet from the edge of the ditch now flowing with snow melt. Muskrat, most likely, which means its burrow cuts under the bank much farther back than I would have imagined. We are disappointed not to be greeted by a furry neighbor popping its head out its back door, but we think it’s cool a creature lives under our feet.

All these signs of emergence promise growth and regeneration of the natural world. Early spring—late March and April on the anthrocentric calendar—is a time of emergence for humans, too, at least those who live in a climate where the seasons make a difference. Warmer weather and longer daylight brings more time outside as we shed heavy coats and boots and the ennui of cold and dark. Many of us celebrate a spring holiday of renewal in faith or love. Ever the optimists, farmers start seedlings in the greenhouse.

I have to admit I need a little shove in March to get myself back out into the world again. January and February are quiet times for me when I write, organize, read, and stay home by the woodstove as much as possible. March is my transition to a very busy summer and fall with farming and writing, not to mention recreation with family and friends.

But March also gives me a chance to emerge a bit at a time, taking my cue from the weather. When sunshine beckons, I keep an eye on the sky, not trusting the forecast. Spring snows don’t bother me as I prolong my respite by the fire. But finally, I awaken to find flowers blooming and the first spinach ready to pick in the fields. By my late March birthday, I’m ready for new plans (I’m an Aries, after all, so dreaming up the next big project is part of my MO), with winter forgotten behind me.

Ecobiography can examine the influence of the natural cycle of seasons on human activity and the plants and animals with which we share an ecosystem. Thinking of the transition from winter to spring as emergence brings an opportunity to consider what is new in our lives, as well as observe the changes such transformation plays in the natural world around us.

Writing Exploration: In a short essay or journal entry, write about your experience of spring. As the days grow warmer and longer, in what ways do you experience the transformation from winter to spring? From dark to light? From cold to warmth? From quiet times to busy-ness? From solitude to social ties? From root stew to fresh garden salad? From fireside to patio?

As you write, think about words that evoke a sense of emergence. You may have noticed I’ve used some in this post like “propel,” “awaken,” “transition,” and “renewal.”

Next, write about the ways spring brings new interactions with the natural world. What do you observe in spring that was missing in winter?

Finally, reflect on the idea of emergence. With this change of season, what are you emerging from? And what might you be emerging to?

 

Walking the Ditch

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Stonebridge Farm is crossed by three irrigation ditches: the Palmerton near the house, the Highland to the east, and the Rough & Ready in between. Melting snow from the Rockies runs through these ditches from spring to fall. Before the 2013 flood, some water or ice could be found in the ditches in the winter because the old head gates from the St Vrain river leaked, but following the flood, more efficient head gates were constructed that keep water out of the ditches after shut-off in late fall.

An empty ditch in summer means drought, an alarming sight for a farmer. But an empty ditch in winter reveals a new view of the riparian ecosystem that supports our farm with water, shade, soil, plants, and animals. With its slanted light and bare outlines, winter exposes the natural world in intriguing ways: trees tower over head as the ditch becomes an open road. For our five-year-old grandson on a winter day, an empty ditch needs exploring.

            The night before our ditch adventure, we read Signs Along the River by Kayo Robertson, a children’s book about using the five senses to find the evidence creatures leave behind like tracks, trails, bones, and, to put it plainly, poop. With these clues in mind, we set out the next morning from the bridge over the Rough & Ready to see what we can find. That bridge is next to our swimming hole, a place we often see muskrats paddling when the water’s flowing. Not far from the bridge we find the mouth of a burrow and imagine cozy muskrats in hibernation up inside the ditch bank behind the hole.

            The topography of an empty ditch is a meeting of curves and lines as the flowing water follows the natural limestone walls created over thousands of years, exposing textures of grass, sand, and roots along the ditch’s perimeter. A tree too close to the edge that was felled before our time left a tapestry of tangled roots that now fortifies the bank from erosion.

            Near another bridge, my grandson spots tracks in the dry sand along the ditch bottom, with many tracks in one spot as if an animal were circling. “What do you think it was?” I ask him. “Coyotes,” he guesses, and he is right because next to the tracks we are delighted to find coyote poop. Coyotes are a constant at the farm; it’s no surprise they run the empty ditches as winter highways.

In snowy patches further down our walk, we find deer tracks crossing the ditches, also not surprising since mule deer are in residence in our fields this winter, eating the cover crop and what’s left of the winter kale and chard. We discover a place where deer bed down in tall grass along the ditch in a spot farther back from the cultivated fields, a place we think of as “wild” because we don’t walk or farm there, in part because the trees form a small forest along that stretch of our northern boundary. The empty ditch allows us access into the heart of this place and now we can see how its wildness creates a refuge for the deer.

My grandson and I walked the Rough and Ready from one end to the other and back again, stopping to explore whatever caught our eye, including an aluminum baseball bat half-buried in silt and grass, a relic of the flood, perhaps, like the eight-ball we exhumed from a different ditch last spring. In the 20-some years I’ve lived at Stonebridge, I’ve never walked the ditch from end to end before. Seeing it from the inside out was like opening a door to a new room in my house that I hadn’t known existed and realizing that life went on there, with or without me. Now I know that the winter ditch is something I’ve been missing.

 

Writing Explorations: In ecobiography or ecology-based memoir, I’m always interested in how humans live alongside and amid other forms of life. We write about the places that bring us in contact with the natural world, especially on a regular basis, and we reflect on what we can learn about ourselves through the plants, creatures, and elements around us.

But before we can write of these interactions, we must notice them. A change of season, weather, or situation—as in the empty ditch—provides a wonderful opportunity to look with new eyes at a familiar place. In fact, deeper exploration of our relationship to nature can be inspired by the lens of change as routines are altered and what seemed normal or ordinary is exposed as cyclical or distinct.

In a short essay or a journal entry, write through the lens of winter. Right now, how do the places you inhabit or visit look different in the winter? What does the starkness of a winter landscape reveal to your curious eye? What surprises do you find in the dormant world that are hidden from view in the growing season? What do these details show you about your place in a wintry ecosystem?